For the British expert on the Yoruba people of Nigeria, see Professor Robert Sidney Smith.
Robert Sidney Smith (February 13, 1877-October 20, 1935), known as Sidney Smith, was the creator of the influential comic strip, The Gumps, based on an idea by Captain Joseph M. Patterson, editor and publisher of the Chicago Tribune.
He was born in Bloomington, Illinois. The son of a dentist, Smith never finished high school and began drawing cartoons for his hometown newspaper when he was 18. He also delivered chalk talks and worked in newspaper art departments in Indiana, Pennsylvania and Ohio.[1]
In 1908, he signed on as a sports cartoonist at the Chicago Examiner where he created a talking goat in a feature, Buck Nix, which involved continuity: "What will tomorrow bring?" In 1911, Smith moved to the Chicago Tribune, where he introduced a new goat character when Old Doc Yak began as a daily on February 5, 1912 with the Sunday page starting a month later on March 10.
At the Chicago Tribune on October 28, 1914, he started a panel, "Light Occupations", which ran alongside an untitled local sports-oriented feature. Expanding from sports into a variety of recurring strips, it initially appeared in various odd sizes, continuing until Saturday, January 20, 1917.
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The last Old Doc Yak ended February 10, 1917 with the well-dressed Yak and his family leaving their house, wondering who might next move into it. The last panel showed only the empty house. On February 12, 1917, in the space formerly occupied by Old Doc Yak, newspapers displayed the initial episodes of The Gumps, showing them moving into the same house.
The Gumps had a 42-year run in newspapers, continuing until October 17, 1959. The strip, its merchandising (toys, games, a popular song, toys, games, playing cards, food products) and media adaptations made Smith a wealthy man. In addition to his townhouse, he had a large estate near Chicago and a 2,200-acre (8.9 km2) farm. He believed in physical fitness, keeping in shape with amateur boxing and long-distance running.[1] Smith's studio was in a large 12-room lakefront house at Lake Geneva, Wisconsin. Wearing a coonskin cap, Smith threw large parties at his estate, which also had a log cabin, a caretaker’s home, a four-car garage and a statue of Andy Gump on the front lawn. The circular drive that led to the house surrounded a large illuminated fountain.
Sam Carr Polk wrote:
Smith's strip was adapted into a live-action/animated film series in 1920-21 by Wallace Carlson. During production, Carlson formed a partnership with Gumps writer Sol Hess, and together they launched The Nebbs, a Gumps-like family comic strip which began May 1923 and continued until 1946.[2]
In 1922, Smith signed million-dollar contract ($100,000 per year for ten years). Two years later, he published the 183-page Andy Gump, His Life Story (1924). In 1935, he signed a new contract, giving him $150,000 a year. On his way home from signing that contract, he crashed his new Rolls-Royce and died in a head-on collision at the age of 58 on October 20, 1935.[1][3]
The Gumps inspired Amos 'n' Andy and thus had a huge influence on the introduction of radio serial continuity and radio-television situation comedies, as detailed by broadcast historian Elizabeth McLeod in the "Andy Gump to Andy Brown" section of her popular culture essay, "Amos 'n' Andy—In Person" and her book, The Original Amos 'n' Andy: Freeman Gosden, Charles Correll, and the 1928-43 Radio Serial (McFarland, 2005). Mainly due to the research of McLeod, Sidney Smith is now regarded as a seminal figure in 20th-century popular culture.
Herb Galewitz compiled daily strips for his book, Sidney Smith's The Gumps, published in 1974 by Charles Scribner's Sons. However, the strips in this book were assembled in a slipshod manner with no apparent restoration.